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The colours in the tomb |
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The subject of recording the colours of painting is a difficult one. Many techniques have been used over the years, ranging from simple verbal descriptions ("red", "blue"), through colour charts (usually Munsell), to the use of colourimeters. The latter technique was adopted by our mission in the late 1980s, and this, and the ways in which colour can be analysed and many of the problems can be found in two articles I wrote:
To give readers an idea of the variability of the different colours, I have reduced the classification via a process of reduction described in my articles using the NBS colour names (K.L. Kelly and D.B. Judd, Color. Universal Language and Dictionary of Names (US National Bureau of Standards 1976)). The following are the main colours, with their frequency among the measurements.
To enable the visualisation of the variability of these colours, I have produced Patch Diagrams using Patchtool software. I link to diagrams of each in the table above. These files are generated from a CGATS file, exported from the Filemaker Pro database which contains the colour readings. A sample file is below. CGATS.17
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© Nigel Strudwick 1997-2018 |